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The Left Banke were a late 1960's band from New York with a unique sound. Critics labeled them "baroque-pop" due to the
classical influences in their music. Besides three songs that hit the Billboard charts, "Walk Away Renee," "Pretty Ballerina," and "Desiree," the group left behind a legacy of music that influenced notable musicans ranging from Leonard Bernstein to Alice Cooper. |
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| »LB Portrait by Susaye Greene |
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| »LB Machinima Videos by Charlemange |
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| »The 411 |
| News & Updates Trivia Discography Pictures Related Artists |
| »Session Notes |
| Walk Away Renee/Pretty Ballerina Left Banke Too Various Sessions |
| »The History Of The Left Banke |
| Tom Finn Steve Martin Caro George Cameron Michael Brown |
| »Dawn Eden Interviews |
| Walk Away Renee Michael Brown Tom Finn Rick Brand Alan Merrill |
| »Articles & Interviews |
| KYA BEAT Oct 1966 KYA BEAT Nov 1966 KBTR/71 1966 Teen Screen 1967 LP Liner Notes 1967 Teen Set 1967 Song Hits 1967 Hit Parader 1967 Teen's Top 1967 Teen Screen 1968 GO 1968 Hit Parader 1969 Mojo 2002 Big Takeover 2003 |
| »Downloadable Media |
| "Live" Videos Machinima Videos Machinima Videos 2 Leftbankeisms v1 Leftbankeisms v2 Dress Rehearsal Strangers On A Train Steve Martin Caro - Summer Song Jeff Winfield - The Switch The Michael Brown Story Bob Brainen's Playlist |
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| »Hello - Goodbye by Richard Younger |
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From Mojo August 2002 He arrived with a bass guitar and his girlfriend Renee, who broke their leader's heart. This month, from melodies to messiness with... Tom Finn and The Left Banke Hello December 1965 The first time we all got together was at World United Recording studio on 48th Street and Broadway in Manhattan. I knew that George Cameron was looking for new members for his band. The Morticans, so Warren David, a drummer who'd been with me in The Magic Plants, marched over from our west-side crash pads. I also brought along Steve Martin, a singer that just came in from Spain that I befriended on the street. I'd recorded at World United and knew the owners son, Michael Brown. We all loved the same type of music: The Beatles, The Zombies, The Kinks, The Animals, and naturally were able to sing together. Even at that first meeting, Steve and George had originals like I Haven't Got The Nerve and I've Got Something On My Mind. I didn't think too much of the tunes until Mike got on the studio's Steinway and gave them some structure. I plunked a Danelectro bass, George strummed a red Hagstrom solid body, Warren played drums. We were all wearing long hair, we were all styling, just young and full of life. We never had a plan to be a group, but Michael had the keys to his father's studio. I'd bring my girlfriend Renee along, and Michael fell for her, getting his heart broken, but writing these amazing melodies. Once Michael's father caught us in the studio and heard us, he wanted to get in on the action. That started things rolling but it was also the kiss of death. Goodbye November 1969 Mike left the group before Walk Away Renee broke. He refused to tour -- not that I can blame him. We'd go do gigs and get our asses kicked by local bands with better equipment. There were always disagreements with Michael's father. They tried to throw Steve, George, and me out of the band but rehired us two weeks later when they realized the chemistry was gone. For a while, there were two Left Bankes: one with Michael, and one with George, Steve, and myself. When they put out Ivy Ivy in '67 it got messy, but we got possession of the group's name. We did get back together for Desiree [produced by Michael], but radio was scared off by this time. We were still held together by this sophisticated, beautiful vision we had for our music, which by 1969 was under attack by these animal San Francisco bands with no talent. One afternoon, Donovan was at World Recording and was telling Steve that George Harrison had loved Walk Away Renee and that The Beatles were breaking up. That seemed like an omen. We said, "Let's just hang it up." We did the best we could, we just didn't want to compete in a Beatle-less world. In later years, we put out some new recordings, but there was no real getting back. |